Episode 17: Cutbacks. Liz is willing to do anything to avoid cutbacks at T.G.S., while Jack is forced to fire his personal assistant and hire Kenneth as his part-time assistant.
Episode 18: Jackie Jormp-Jomp. Jack tries to turn an accidental obituary for Jenna into a marketing opportunity for her Janis Joplin-based biopic. Meanwhile Liz makes friends with a group of single women while away from work for sexual harassment.
Episode 19: The Ones. Jack has second thoughts about marrying find out more...

Mark Wahlberg stars as a formidably equipped youngster turned into porn-film superstar Dirk Diggler by veteran director Jack Horner. find out more...

Great doco about the early days of NY hip hop and life on the projects. One of the best features of this film is that it examines the political trajectory of Nas' career through his lyrics as well as the environment and familial situation that gave rise to his stardom. Must see for fans of his music. And anyone interested in the political side of rap music.

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Carmen is a terrorist who falls in love with a young cop guarding a bank that she and her gang try to rob. She leads him on, the pair of them legging it to her film-maker uncle's beach pad, while dragging the two of them closer to their ultimate doom. Carmen runs around naked a lot, string quartets play Beethoven, uncle (Godard himself) can't get his film act together and the romance fizzles out. As for you Bizet fans out there, make of it what you will, but 'Carmen' is in there, albeit in a con find out more...

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...